[加载需要些许时间,欢迎先阅读观展须知]

如果国内加载速度过慢,可以尝试 链接:https://xpaidia.com/game/fengmengboo/

配合Ctrl+滚轮进行窗口放大调至合适大小

色散效果可以在游戏右上角点击小电视进行关闭

正常流程解锁秘密3代表通关

目前全部第三关回答完后demo当前内容结束,会出现(彩蛋 噗)

观展须知 

 1. 游戏目标是“寻找冯梦波”,具体需要找到填字游戏的答案并且进行正确输入。 

答案为全中文(目前)

- 输入后按Tab键或者Enter,善用Tab键可以提升输入效率。

- 颜色会反映这个字是否正确,如正确则不能再进行编辑修改。 

- 点击谜题的空白在下方字幕上会显示谜面(重要) 

- 谜题遵循填字游戏基本规则。 

2. 请随意(实则也是必须)使用各种互联网产品与工具,例如手机,算法识曲功能,公众号,搜索引擎等等,整个中国互联网世界是游戏内容的一部分  

3. 本游戏内提供的绝大部分文字信息或者内容都是与谜题的答案所相关的,请不要忽略,注意观察与尝试 

 4. 如果当不能过关,又不愿意放弃的话请可以打开下方链接获取答案 

 - 线索提示与答案 https://xpaidia.com/game/fengmengboo/hint.html 

 - 点开链接或者扫码

背景为 冯梦波《童年》


Demo Credits

叶梓涛 :游戏设计,美术,脚本,原型制作 

肖一驰 :程序设计

杨静:游戏设计,脚本 


Ye Zitao  - Game Design / Scripts / Prototyping / Visual  

Yichi Xiao - Programmer

Yang Jing - Game Design / Scripts





概念

寻找冯梦波 


策展⼈:杨静,叶梓涛 

艺术家:冯梦波 


本世纪初,艺术史学家 Boris Groys 就提出艺术产业存在生产过剩、消费不足的问题。2020 年,这个问题更加明显,不仅生产视听作品的艺术家和非艺术家个体数量量几何级增长,以往能够让艺术作品通过仪式化展览和体验的机构——即美术馆、艺博会、画廊,本⾝也因疫情挑战,将工作调整到线上进行。这意味着艺术展览从内容到形式都要在多种⾏动者网络内和其他形式的⽂化娱乐产品竞争。 

筛选、重组、系统化呈现艺术作品和艺术家是当代艺术策展人和美术馆的工作要点,其中 ⼀个⽬的,是重新构建以为时空原因被去场景化的艺术作品的时空背景,即在美术馆的有限空间内以作品/艺术家为线索,搭建替代性的历史场景,既完成艺术史学领域的谱系梳理,也帮助参观者理解艺术作品。 

《寻找冯梦波》的展览构思正是基建于以上两点考量,在2020年年这个系统重新洗牌的历史节点,探索策展工作的可能。将艺术家本人作为具体的历史个体作为展览的客体,引入游戏设计的方法,设置信息发掘规则,将参观者从“观众”转变为“玩家”,打破只停留在景观的表象形、无行动性的观看,将再现转变为在场。如此使得将观众变得主动,在无限的网络信息中寻找冯梦波的痕迹,最终找到信息背后的作品,以及作品背后晶体结构折射出的复杂艺术家。 

整个展览以⽹页游戏为形式,策展⼈搜集、整理冯梦波的艺术创作和⽣活轨迹,以填字游戏的方式呈现在网页界面,⽤超链接提供解谜思路,引起玩家好奇心。展览的游戏性全然依托于「规则」本身,解谜需要的材料(冯梦波的作品)完全分布于互联⽹网这个无限数据库。展览本身提供在无限均等的互联⽹信息中漫游的多向动线,艺术家及其作品的信息其实早已存在于网上,等待被个体发掘。

参观者需要使⽤用各⾃熟悉的搜索引擎、社交网络解答谜题与发掘信息,「组装」他/她的冯梦波。展览试图构建信息本⾝身生存泯灭的土壤环 境(被演算法操控的互联网⽤用户端),也创造对这种寻常路径的挑战(需要参观者引入个体智能寻找可能路径),我们还希望尝试让当下未免过于内卷的艺术信息进入更加混杂的艺术外网络。 

选择冯梦波有多重原因:冯梦波是中国最早并持续和数字语言、尤其是游戏语言发生关系 的艺术家,持续有作品问世,足迹可寻。他的跨界合作也将⾃己置⾝身于音乐、游戏、直播、 VR等和当代艺术不完全重合的场域,提供更多非艺术的线索。冯梦波对于当下策展的方式 有自己的观察和意见,也会为我们的⼯作带来挑战与帮助。



In Search of Feng Mengbo

Curators: Yang Jing, Ye Zitao 

Artist: Feng Mengbo

At the beginning of this century, art historian Boris Groys argued that the art industry suffers from overproduction and underconsumption. In 2020 the problem becomes even more evident, not only with the exponential growth in the number of individual artists and non-artists producing audiovisual works, but also with the institutions that used to enable artworks to be exhibited and experienced ritualistically, i.e., art museums, art fairs, and galleries, which themselves have redirected their work online due to covid-19. This means that art exhibitions, from content to form, have to compete with other forms of cultural and entertainment offerings within multiple actor networks (ANT).

Selecting, reorganizing, and systematically presenting artworks and artists are key points in the work of contemporary art curators and galleries, one of the aims of which is to reconstruct the temporal and spatial contexts of artworks that have been de-contextualised from their temporal and spatial locations. This means museums need to construct alternative historical scenarios with works/artists as clues within the limited space of the gallery, both to complete the genealogical inventory in the field of art history and to help visitors understand the artwork exhibited.

The conceptualisation of the exhibition "In Search of Feng Mengbo" is based on these two considerations, exploring the curatorial possibilities at this historical point in 2020 when the system of art is reshuffled. We frame Feng Mengbo, the artist himself as a specific historical individual, and utilise ludological methodology to design game rules for information discovery. Therefor we transform visitors from "spectators" to "players", breaking away from the superficial and inactive role of an outsider. We aim to transform representation of art into co-presence of artaudience. In this way, the audience becomes active, searching for Feng Mengbo's traces in the infinite information on the Internet, and finding the works behind the information and the complex artist reflected in the crystal structure behind his works.

The exhibition is in the form of a web game, in which the curators collects and organises Feng Mengbo's artistic creations and life trajectory, and then present them on the web interface in the form of a crossword puzzle,. We use hyperlinks to provide solutions and arouse players' curiosity. The gameplay of the exhibition is entirely based on the "rules" themselves, and the materials required for solving the riddles (Feng Mengbo's works) are completely located in an infinite database on the Internet. The exhibition itself provides a multi-directional traffic flow in the infinite data on the Internet, where information about the artist and his works already exists, waiting to be discovered by individuals. The visitor needs to use his/her own familiar search engine and social network to solve puzzles and discover information, "assembling" his/her Feng Mengbo. The exhibition attempts to build the environment in which information itself lives (the algorithmically that manipulate individual Internet user), but also to create a challenge to the usual path by motivating visitors to bring in their own intelligence to form possible paths, as well as an attempt to bring the current art information, which often circles inside art system, into the more hybrid extranet.

We invited the artist Feng Mengbo for multiple reasons: Feng is one of China's earliest artists who worked with digital language, especially the language of video games, and he continues to produce works that can be traced easily on the Internet. His cross-over collaborations also place him in fields that do not entirely overlap with contemporary art, such as music, games, live streaming, VR, etc., providing more non-art clues for the visitors to solve the puzzel. Feng also has his own observations and critics on the current curatorial approach, which will also help us in our work.

StatusPrototype
PlatformsHTML5
Authorzitaoye
Made withUnity

Comments

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好有意思呀~~ 非常喜欢 window 95 风格的界面!填字游戏做成电子的,而且有关卡和回合,觉得这个想法本身就很棒!!给线索的方式也很好玩(让我想起了 her story)这么短时间的作品我觉得已经很完整了!在公众号里面搜索关键词的想法很好,利用另一个媒介本身提供的可能性,进行游戏。我想如果有更多时间的话,能发展成很精彩的解密过程。谜面的设计可能要多花心思,传统的编辑很擅长做字谜游戏,感觉这个是个需要锻炼的技能~~  总的来说,稀饭!!

谢谢小河特意创建一个账号来评论~ 谜题应该还可以继续扩展得更多和更丰富得!借助互联网无限的信息来搭建一个解谜路线,还是很有趣也是很烧脑得!

哈哈,我是看到下面 houdou 同学的评论忍不住来平衡一下。然后我点进去玩了houdou的游戏觉得非常厉害

双重暴击

(2 edits)

## 画面
默认的色散效果太强了,一上来半分钟眼睛就瞎了

## 输入框
对中文输入的体验有点差,核心部分是填字的话,需要优化这个体验才好(
  输入法多字会挤到同一格
  tab切换输入框一会能用,到最后一格就不行了

## 提示框
哪怕只有几个字也要跑马灯一圈,大部分空白
可以超长再左右pingpong滚动就好了,不然5秒钟一圈,就1 2秒能看到字
纵横都有的格子,只能看到其中一种的提示

音乐提示的音量有点小

## 谜题
中后期就完全是在■■■■■里搜了
更像是■■■■■号的宣传。。。?(嘛,题目就是这个,也算切题吧)

有一两个的提示感觉会指向不止一个答案,还是得一个一个试

全部填完崩了。。。有结局嘛。。。

回到概念部分

感觉

> 参观者需要使⽤用各⾃熟悉的搜索引擎、社交网络解答谜题与发掘信息,「组装」他/她的冯梦波

这个部分稍微有点不够突出? 

个人玩下来,搜索信息的时候目的过于明确(寻找能对上字的关键词)导致其实文章内容或者说其他相关信息完全忽略了。整体上我能 “组装” 的 “冯梦波” 形象有点单薄

留下的印象就是:“一个2000年左右活跃的,喜欢春丽,会玩的收藏家” ?

其实给的提示或者说secret,如果能用上会不会更好,加上谜题的设置可能也可以调整一下


PS:我还真没见过填字游戏有独立存在的一行的 lol

感谢这么详细的回复!

对于交互的细节的建议都特别好!输入框画面提示框都需要优化!纵横的问题是取巧了(因为只有单文本框)。

##谜题的话:

中后期(因为这个是demo所以确实只算是中期)确实是引到■■■■■进行搜索。全部填完崩了的话是失误抱歉。其实确实是希望秘密/提示/还有之后解锁的介绍Wiki都会是重要的信息来源,并且应该可以加入更多更丰富的网络信息流的引导内容,现在可能是因为挖得不够深,也是因为大部分内容得获取也是来自■■■■■的原因。确实做得不够好!

关于单行的填字游戏哈哈,因为有限主题+信息流策展主题推进+时间限制,想秃头了,后续会努力调整的。

再次感谢反馈!鞠躬!